For his series, The Guardians, Antaki traveled across Europe, the Middle East and America, photographing shopkeepers or “Guardians.” These Guardians are keepers of what Antaki terms “urban temples,” unique spaces which, in an age of cookie-cutter, corporate shops, hearken back to an earlier time and mode of urban life. Antaki creates visually arresting portraits of the Guardians in their urban temples that make the viewer connect to the beauty of these often forgotten spaces. Antaki believes that these temples are the heart and soul of every city; they are what give the urban centre its uniqueness in time and place. There is also a duty of memory associated with these spaces. As so many of them are closing, it falls to artists such as Antaki to preserve their memory.
The Guardians has been exhibited in public places in more than a hundred cities across France and North America. It won an Infopresse Lux prize in 2013, and was selected to represent Canada in The Other Hundred, a photo-book curated by the Global Institute For Tomorrow (a not-for-profit global photographic initiative based in Hong Kong). In the fall of 2016, Antaki participated in Toronto’s Nuit Blanche and told the story of eight Guardians in the heart of the Financial District. In the spring of 2018, twenty three Guardians were exhibited for a month and a half at The Alternative in Beirut, Lebanon. The show was curated and produced by Naila Kettaneh-Kunigk, founder of the prestigious Galerie Tanit in Munich and Beirut. The Guardians is currently traveling through Lebanon in partnership with the French Institute of Lebanon.