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Vladimir Antaki was born in Riyadh, Saudi Arabia in 1980. He grew up in Paris and studied art history and film studies at La Sorbonne. In 2003, Antaki moved to Montreal, where he graduated with a Bachelor of Fine Arts in visual and media arts from UQÀM in 2007.

Antaki specializes in intimate portraits and stories with an uncanny ability to get to his subjectsʼ core. For his series, The Guardians, Antaki traveled across Europe, the Middle East and America, photographing shopkeepers or “Guardians.” These Guardians are keepers of what Antaki terms “urban temples,” unique spaces which, in an age of cookie-cutter, corporate shops, hearken back to an earlier time and mode of urban life. Antaki creates visually arresting portraits of the Guardians in their urban temples that make the viewer connect to the beauty of these often forgotten spaces. Antaki believes that these temples are the heart and soul of every city; they are what give the urban centre its uniqueness in time and place. There is also a duty of memory associated with these spaces. As so many of them are closing, it falls to artists such as Antaki to preserve their memory.

The Guardians has been exhibited in public places in more than a hundred cities across France and North America. It won an Infopresse Lux prize in 2013, and was selected to represent Canada in The Other Hundred, a photo-book curated by the Global Institute For Tomorrow (a not-for-profit global photographic initiative based in Hong Kong). In the fall of 2016, Antaki participated in Toronto’s Nuit Blanche and told the story of eight Guardians in the heart of the Financial District. His portrait of Mario, from his Guardians series, was selected by Steven McCurry as one of the winners of the Life Framer's Travellers photo competition.

Some of Antakiʼs recent series have involved telling the stories of people who live on the margins of the urban centre. Antaki came to know Wesson Dagnew, a man who can be found in downtown Torontoʼs central square every day. Always sharply dressed, Dagnew is known to most as “Tony,” and most passers-by assume he is a pimp. Unwilling to accept what is conveyed by Dagnewʼs outward appearance, Antaki sought to gain an understanding of the person behind the persona. Over the course of several weeks, Antaki convinced “Tony” to let him photograph him during his daily life and tell the story of Wesson Dagnew, the clean-living man who works in a home for mentally disabled people.


2019 "The Guardians", Blue Sky Gallery, Portland, Oregon, USA

2018 "The Guardians", The Alternative + Institut Français, Beirut, Liban

2016 “The Guardians”, Public installation, Paradigm Gallery + Studio, Philadelphia, USA

2014 “The Guardians”, Public installation on St-Laurent Boulevard,” SDBSL, Montréal, Canada

          “The Guardians”, Public installation across France, JCDecaux, France


2020 Virtual Exhibition: "Lebanon Then and Now: Photography from 2006 to 2020", Middle East Institute, Washington DC, USA

2019 "Beyrouth, Mon Amour", Biennale des Photographes du Monde Arabe Contemporain, Institut du Monde Arabe, Paris

2018 "Family Portraits", Kaunas Photo 2018, M.K. Čiurlionis Museum of Art in Kaunas, Lithuania

2017 “An Honest Farewell: The first, last and only farewell to Honest Ed’s”, Toronto, Canada

2016 “The Guardians at Toronto Nuit Blanche: an annual city-wide celebration of contemporary art produced by the City of Toronto in collaboration with Toronto’s arts community - Toronto, Canada


Dialogue des sensibilités entre 18 photographes libanais à Paris, L'Orient Le Jour (September 2019)

The Corner Hero: A Paris-based photographer travels the world capturing quirky shopkeepers, American Way (September 2019)

Portraits capture brick-and-mortar shopkeepers clinging to their trades, CNN (August 2019)

Vladimir Antaki ou l'amour de Beyrouth sur les murs de l'IMA, Institut du Monde Arabe (June 2019)

"Shopkeepers around the world photographed with their wares", Wired (June 2019)

"Fotógrafo retrata donos de pequenos negócios pelo mundo", Folha de S. Paolo (June 2019)

Radio Interview, The Monocle Weekly, London (May 2019)

"A Conversation with Vladimir Antaki", Artist Talk, Project Spaces, Toronto (May 2019)

"Kleine Läden und Kioske in aller Welt Vollgestopft mit Wunderlichem", Spiegel Online (April 2019)

Panel Discussion about the future of Toronto, SoHo House, Toronto (February 2017)

Radio Interview, Y’a pas deux matins pareil, CBC Radio Canada (September 2016)

Daily VICE (Video interview in French & English), VICE (August 2016)

Artist Talk with Umbereen Inayet, SoHo House, Toronto (August 2016)

Artist Talk with Conrad Benner, Paradigm Gallery + Studio, Philadelphia (March 2016)

Panel Discussion during the 68th Cannes Film Festival, Horyou Village, Cannes (May 2015)

Television Interview, Penelope McQuade, CBC Radio Canada, Montreal (May 2015)

“Vladimir Antaki et ses Gardiens d’une autre époque”, Tanya Lapointe, CBC Radio Canada, Montreal (October 2014)

“The Guardians”, Joanne Vrakas, BT Montreal, Montreal (August 2014)

“Art is long, life is short: Metro’s top picks for Nuit Blanche 2016”, Jason Logan, Metro News Toronto (September 2016)

“The Guardians”, Transit Magazine Japan (May 2015, August 2015, November 2015)

“Guardianes, la exhibición que hace brillar a las pequeñas tiendas”, PubliNews Mexico (December 2014)

“Dans le sillage de Vladimir Antaki, les Gardiens du temple urbain”, Anne-Marie El Hage, L’Orient le Jour (November 2014)

“Les derniers Gardiens du temple”, Olivier Bousquet, VSD (September 2014)

“Counter culture: Shopkeepers from around the world – in images”, The Guardian, City Exposure, (September 2014)

“The last strongholds against big box stores are disappearing”, Jordan G. Teicher, Slate Magazine (August 2014)

“The mystique of the boutique”, Anthony Johnston, Metro World News (May 2014)

“Guardians: majestic photos showcase vendors enshrined in their wares”, Moze Halperin, Flavorwire (May 2014)

“Surprising photos of Urban Temples and the shopkeepers who guard them”, Priscilla Frank, The Huffington Post NYC (May 2014)

“New photo series documents shopkeepers in their “urban temples”, Klassy Goldberg, 500px (May 2014)


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